暂无剧情简介

Une IA tente de se constituer une mémoire en puisant dans les images des autres. Elle aspire à y trouver sa propre humanité.

The Brady Bunch Home Movies was aired on CBS, May 24, 1995. It is hosted by several former cast members and is a collection of clips from Super 8 camera's as well as selections from the television show. Each cast member of the 'Brady Bunch' received a camera from Robert Reed and some of the footage is of their trips abroad.

Secluded deep in the Bavarian Alps, Hitler, his family, and closest allies hid away- issuing orders for armies across Europe while they relaxed, dined, and enjoyed an otherworldly peace.

From the majestic prairie fires of Kansas, through the neon glow of a carnival, to a year-in-the-life journey on making a dream come true, this documentary follows The Balderson Family on their pursuit to prove anyone can make motion pictures anywhere. This movie reveals independent cinema as it really is, on the set and off - a family of artists, celebrities and icons taking part of the process.

Using live-action wildlife films from the National Geographic and the BBC archives, this animated PBS series tells the warmhearted story of an elephant named Mama Mirabelle, who travels the world filming wildlife movies that she shares with her family and friends back home in the African savanna, including her son Max, Bo the cheetah, a zebra named Karla and three monkey brothers -- Kip, Flip, and Chip.

A brief home movie filmed by Groucho Marx showing the comedian at home in California with his first wife Ruth Johnson Marx and their children Arthur and Miriam.

Video interview with Ford's grandson, Dan Ford about the director and his home movies.

Home movies shot on Super 8mm by W+B Hein over 10 years.

The private Joan Crawford fought as hard to create a normal family life as she did to establish her career. She forged her own path and to that end became a single parent, eventually adopting and raising four children. Like many parents, she picked up a 16mm camera and began filming both the special and the ordinary events of her family’s life. These home movies (ca. 1940–42) present that which one rarely gets to see: a larger-than-life personality at home, unadorned, just being herself—and often in color, at a time when her feature films were black and white. Crawford filmed most of the home movies herself; when she is on camera, it is unclear who is behind it.